Showing posts with label Photo techniques. Show all posts
Showing posts with label Photo techniques. Show all posts

Monday, July 18, 2011

A book review of "Adobe Photoshop CS5 - one-on-one"


You’ve got a photo shoot in Cleveland with a great looking model (or maybe your wife) and you’d love to have a photo of her standing in front of the Washington monument. That’s all in an easy day’s work if you know how to use Photoshop.

Unfortunately, for most beginner’s, the learning curve for Photoshop is much steeper than they realize. Luckily however, with the right training, you can jump in and learn what you need on a project-by-project basis and leave all that other training for some time in the future. 

In Deke McClelland’s new book, you’ll find the perfect instruction manual. Instead of a laborious “this is the text tool, and when you click it, you can type text” method of instruction, you get practical real work examples. With plenty of illustrations and screen-shots, it’s easy for the beginner or the advanced Photoshop user to follow along and duplicate the results.

To continue with our text analogy, in chapter 11 on text, Deke goes on to explain:
·         why text may or may not look like you planned when you create it in Photoshop
·         how to generate drop shadows
·         how to add the shape tool to your text layout
·         how to bend and warp text to fit your design
·         the difference between raster and vector artwork

These are all things that are immediately applicable in real world projects.

Flipping through the book even experienced Photoshop users are bound to pick up new hints or tricks on selections, layers, color, transforms, masking, and print & web output. 

In addition, Deke has packed this volume with five hours of video training online. You can access it with a link mentioned in the first chapter of the book. If that’s not enough, there’s a special complimentary training link to Lynda.com for even more subject matter.

Look for Adobe Photoshop CS5 – one-on-one in most good book stores or online at O’Reilly.com

Wednesday, March 16, 2011

Push reset – two ways to rethink your photography

Professional photographers are often on deadline, and complete each project as quickly as possible. Photographic artists on the other hand, have the luxury of planning projects that can last weeks, months or even years.

Two of these artists, Harald Mante and Richard Nagler, have created vastly different books, but both are wonderful inspirations to photographers looking to create something new. The joy of both books is that it matters not what kind of camera you have, and you don’t need to learn software to follow their lead. Both of their techniques simply require subject selection and presentation.

SERIAL PHOTOGRAPHY by Harold Mante

Harald Mante originally trained to be a sign painter and later began to study art where he was influenced by the Bauhaus movement. Both influences are evident in this easy, fun approach to displaying your photos.

In its simplest concept, Serial Photography shows you how to collect “series” of photographs, related by theme, and display them to maximum effect. His finely developed sense of design makes the collection of photos work – in this case – the whole becomes greater than the sum of its parts.

A series can be the same type photos like doors, umbrellas, balloons or manhole covers. A series can also be a collection of different objects related by some theme such as shadows, doubles, glass reflections or blue objects. That’s the beauty of this book, whatever you already have in your collection can get you started and whatever interests you can keep you going.

Some favorite collections are on page 72 – people photographed from behind, page 105 – a geometrically perfect presentation of single front doors of various colors and page 148 – Swarms, a collection of collections.

Through the pages of the book, Harald shows many ways to organize and display series of photos. Tableau form (i.e. 12 identical size photos on one page) may be the simplest way to display a series, but the book is full of other display types. Each double page spread shows collection of photos, both vertical and horizontal, that make wonderful ways to re-energize all those photos presently sitting on your shelves.

Spend an hour with Serial Photography, and if you have half an ounce of artistic desire in your blood, you won’t be able to resist grabbing your camera and heading out to look for more subjects to add to your first serial collection.

Word on the Street by Richard Nagler

“Heyday into California”, an independent, non-profit publisher, released yet another wonderful book late last year. Word on the Street, Richard Nagler’s third book, displays a lifetime of wandering with his camera in a collection of photos from both coasts as well as Paris and Tel Aviv.

What sets this book apart from others is that each photo is an artful juxtaposition of one word and one person. There is no caption – you derive whatever you feel from the photo itself.

By concentrating on just those two elements, word and person, each photo can be seen and interpreted however the viewer wishes.

On page 67, a tired looking old man sits on a board under a sign high above that says “WHY?”
Page 77 shows a woman in a rainbow decorated t-shirt walking past an American flag with the word “PRIDE.”

On page 55 there is a wonderfully complex looking gentleman clothed with a blue knit ski cap, plaid pajama pants, yellow fuzzy socks above combat boots, a multicolored bath robe covered by the American flag, standing with arms outstretched in front of the letters “IS” on a store window.

Many of Nagler’s photos were a matter of serendipitous luck, being in the right place at the right time. Old time photographers refer to it as “f-8 at a 1/250th and Be There.” Other photos were a matter of coming back time and time again looking for just the right person to complete his vision.

In actuality, Nagler had originally planned to collaborate with the great poet Allen Ginsberg on this book, with Allen penning poetic captions for each photo. Due to Ginsberg’s untimely death, the project was not to be. You, dear reader, are now left to create your own captions.

Wednesday, March 17, 2010

Five simple rules for photographing the St. Patrick’s Day parade

Thousands upon thousands of spectators lined the new parade route in Cleveland for this year’s St. Patrick’s Day parade. With the recent public transit renovations on Euclid Avenue, the parade committee decided that Superior Avenue would be most appropriate for the parade.

Photographers and videographers, both amateur and professional, were ecstatic about the sunny weather. “I’ve been coming for twenty years or so now” said Fred Thomasik, an amateur photographer from Akron, “and I could count on one hand the number of times I remember a sunny day like today.”

Typically Cleveland serves up cold and wet weather in the middle of March, so this was a perfect photo opportunity. The tall buildings along Superior cast alternating swaths of shade and sunshine along the length of the street. Finding a location midway down the block seemed to block the soft but steady, cool breeze.

So what are the five rules for shooting the parade?
1)    
1) Ideally, you want to shoot from the south side of the street. The sun will be behind you at that point and your automatic exposures will be more accurate. If you find yourself stuck on the north side, you can probably improve your images by shooting 1/3 to 1 stop overexposed to keep some detail in your shadow areas.
2)    
2) Find a position where you will be least likely to be bothered by people running back and forth across the street.  Avoid intersections and deliberate openings in fencing, used to keep crossing to certain areas. By staying as far away from these pesky areas as possible, you’ll greatly increase the chances of getting that great shot you were waiting for.
3)    
3) Also, look for an attractive background directly across the street from where you’ll be shooting. That background is going to be in most of your wide angle shots, so make sure it’s not some boarded up building with all sorts of power wires blossoming forth.
4)    
4) Shoot your fellow spectators, as well as the parade participants. So often, a glance around you will reveal some very photogenic characters. It’s a great diversion between floats or during lulls in the parade.
5)    
5) Zoom in looking for details. Sure, everyone wants that wide view to see the entire float, but after you’ve grabbed that one, zoom in and look for details. Maybe it’s small clusters of flowers on the float, or maybe it’s just the bass drum in the band. By zooming in, you’ll amaze yourself at all the other interesting subjects in front of your camera.
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