Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Friday, July 25, 2014

How to create a shaped portrait photography in photoshop

Hello world in this tutorial, i'm so sorry for my bed english. to day i will be give you a very nice portrait effect is very simple, how to create a shaped portrait photography in photoshop....

For more about Photography, Tech and Travel, be sure to check out my other blog: http://DougBardwell.com

Thursday, September 29, 2011

Learning Corel Painter from the Painter Master


If you wanted to learn basketball, Michael Jordon would have been a great person to have on your team. If you wanted to learn to be an astronaut, Neil Armstrong could have helped launch your career. So, if you really want to learn Corel Painter, there’s no one better than Karen Sperling to give you the how’s and why’s of digital painting.

20+ years ago, when Corel Painter first came out, the original printed Painter manual (remember those?)  was written by Karen Sperling. Now, several editions and many books later, Sperling has gone the manual one step better, issuing a series of DVD’s to teach Painting for Photographers. 

Painting your digital photos offers so many advantages that all photographers should at least consider it. The prices of your work increase dramatically if you can create those one-of-a-kind pieces of art people so love. In addition, while painting, you control what shows and what doesn’t show in the final piece. 

Ugly wires going to your building? Gone. Lifeless skies that day?  Poof, beautiful clouds. Need to crop an image? No problem. When painting, you can redirect the point of interest, liven (or mute) the color palette, increase contrast and show only what actually enhances the scene.

Through voice and video, it’s the next best thing to attending one of her intensive Artistry Retreats. On the DVD, she first explains some of the basic reasons why some paintings succeed and others fail. Using examples from the masters, she shows you three basics that will immediately improve your efforts.  As she leads you through different example images later, you’ll realize how effective they can become.

I’ve watched dozens of training DVD’s and my general criticism is that the instructors always show you “how” to do something, but only the best educators fully explain “why” they did it that way. Without the “why,” I don’t feel like I’m getting my money’s worth. Sperling gives the “why” first, and then the “how.” 

The other dirty little secret with many instructors is that they have customized the software to make it do amazing things. Through presets, plugins, special settings and the like, they make their work stand-out. On her DVD, she includes the custom brushes that she uses while demonstrating the oil and watercolor techniques in the video. She even includes the original photos so you can follow along with each lesson.  Using time lapse video, you can watch her as she completes a multi-hour painting in under an hour’s time.

If you do cityscapes, there’s one little tip here about using textures to create those thousand windows you see in skyscrapers. That one tip alone will save you hours of painting time. With many more hints from the master, this DVD is a real investment for anyone wanting to make the jump into digital painting. 

You’ll find her books in many book stores or just order from her website. There’s a volume 1 as well that shows how to paint portraits, but volume 2 stands on its own if that’s the only type photography you do. “While there may be some who would like to paint both,” she said, “the majority have definite views about "I only paint landscapes" and "I only paint portraits."” It’s up to you. Pick one or both.

You might also want to consider her Bonus CD2, a compendium of other special brushes that among other things, paint multiple strands of grasses or leaves in one stroke. It makes an excellent addition to Vol.2: Landscapes.

Tuesday, September 6, 2011

Santiago - gateway to adventure in Chile - part two


What to do, where to go, where to eat and where to sleep in Santiago, Chile

Art & museum tours in Santiago:

Presidential Palace is the heart of the Santiago Government
If you enjoy museums and/or art, Santiago will surely keep you busy for days.  You can take a Santiago tour that hits many of the highlights, or many are close enough that you can walk or take public transportation. Two of the most popular destinations are La Chascona (home of Chile’s Nobel Prize winning poet Pablo Neruda) and the Museum of Pre-Columbian Art. The Museum of Memory and Human Rights just opened in 2010 and recounts in compelling fashion the troubles of the Pinochet regime. If you like your art outside, there is Sculpture Park and if you brought the kids, be sure to check out Museo  Interactivo  Mirador.

Walking tours to see architecture:

Plaza de Armas
Within minutes of the center of Santiago, you can see dozens of interesting significant architectural styles. The start of any walking tour will probably be Plaza de Armas, the proverbial heart of Santiago. With cathedrals, post office, museum, as well as the animated street performers and impromptu art shows, there’s always something to see here.

The Presidential Palace is quite impressive, as is the Municipal Theatre. Slightly further out, the fish market and the old train station are another pair of interesting structures. Wander in any direction and you’re sure to find an impressive older building or a few of Latin America’s tallest modern skyscrapers.



Bicycle tours of Santiago:

For my money, the best way to see a lot of any city in a short amount of time is by bike. You can stop wherever you want, you’re not waiting for erratic bus schedules and the breeze generated is always more refreshing than walking.

Plaza Libertad de Prensa
It was my last day in Santiago and there were so many places I hadn’t seen yet, so a bike tour seemed like an ideal way to go. After meeting Andres and Carolita from Paseos en Bicicleta in the park, we took a couple minutes to get our helmet and seat fitted and then we were off. Pedaling through one of many Santiago parks, I was amazed at the length of Parque de Los Reyes, their shaded, wide, urban park system.

Having seen a number of sites already in Santiago, Andres graciously agreed to change his intended route to show us some areas we hadn’t seen before. Being on a bike, it is so easy to see one site, jump back on and in two minutes be somewhere quite different. We enjoyed hearing about the river one minute, watching  skateboarders perform in Barrio Cummings the next , and just minutes later, being in a perfectly quiet, historic residential area of Old Santiago, Plaza Libertad de Prensa, complete with fountain, park benches and gentrified century homes. Places like these would have never been discovered if we had been traveling by bus or our own car.

The people of Santiago were so accommodating, not seeming to mind sharing their sidewalks with bikers. At lunchtime, we even rode down alongside a sidewalk art exhibit and enjoyed a marvelous home-made lunch, packed by Andres’ wife. Paseos en Bicicleta offers partial day, full day and multi-day excursions. See a slide show of images from my bike tour.

Continue reading…

Wednesday, March 16, 2011

Push reset – two ways to rethink your photography

Professional photographers are often on deadline, and complete each project as quickly as possible. Photographic artists on the other hand, have the luxury of planning projects that can last weeks, months or even years.

Two of these artists, Harald Mante and Richard Nagler, have created vastly different books, but both are wonderful inspirations to photographers looking to create something new. The joy of both books is that it matters not what kind of camera you have, and you don’t need to learn software to follow their lead. Both of their techniques simply require subject selection and presentation.

SERIAL PHOTOGRAPHY by Harold Mante

Harald Mante originally trained to be a sign painter and later began to study art where he was influenced by the Bauhaus movement. Both influences are evident in this easy, fun approach to displaying your photos.

In its simplest concept, Serial Photography shows you how to collect “series” of photographs, related by theme, and display them to maximum effect. His finely developed sense of design makes the collection of photos work – in this case – the whole becomes greater than the sum of its parts.

A series can be the same type photos like doors, umbrellas, balloons or manhole covers. A series can also be a collection of different objects related by some theme such as shadows, doubles, glass reflections or blue objects. That’s the beauty of this book, whatever you already have in your collection can get you started and whatever interests you can keep you going.

Some favorite collections are on page 72 – people photographed from behind, page 105 – a geometrically perfect presentation of single front doors of various colors and page 148 – Swarms, a collection of collections.

Through the pages of the book, Harald shows many ways to organize and display series of photos. Tableau form (i.e. 12 identical size photos on one page) may be the simplest way to display a series, but the book is full of other display types. Each double page spread shows collection of photos, both vertical and horizontal, that make wonderful ways to re-energize all those photos presently sitting on your shelves.

Spend an hour with Serial Photography, and if you have half an ounce of artistic desire in your blood, you won’t be able to resist grabbing your camera and heading out to look for more subjects to add to your first serial collection.

Word on the Street by Richard Nagler

“Heyday into California”, an independent, non-profit publisher, released yet another wonderful book late last year. Word on the Street, Richard Nagler’s third book, displays a lifetime of wandering with his camera in a collection of photos from both coasts as well as Paris and Tel Aviv.

What sets this book apart from others is that each photo is an artful juxtaposition of one word and one person. There is no caption – you derive whatever you feel from the photo itself.

By concentrating on just those two elements, word and person, each photo can be seen and interpreted however the viewer wishes.

On page 67, a tired looking old man sits on a board under a sign high above that says “WHY?”
Page 77 shows a woman in a rainbow decorated t-shirt walking past an American flag with the word “PRIDE.”

On page 55 there is a wonderfully complex looking gentleman clothed with a blue knit ski cap, plaid pajama pants, yellow fuzzy socks above combat boots, a multicolored bath robe covered by the American flag, standing with arms outstretched in front of the letters “IS” on a store window.

Many of Nagler’s photos were a matter of serendipitous luck, being in the right place at the right time. Old time photographers refer to it as “f-8 at a 1/250th and Be There.” Other photos were a matter of coming back time and time again looking for just the right person to complete his vision.

In actuality, Nagler had originally planned to collaborate with the great poet Allen Ginsberg on this book, with Allen penning poetic captions for each photo. Due to Ginsberg’s untimely death, the project was not to be. You, dear reader, are now left to create your own captions.

Wednesday, April 7, 2010

Magnificent collection of B&W animal prints

Absolutely gorgeous collection of black and white images - primarily of wildlife from East Africa.  Nick Brandt presently hails from Topanga, CA. Check them out here. The following is from his site.

"Few photographers have ever considered the photography of wild animals, as distinctly opposed to the genre of Wildlife Photography, as an art form. The emphasis has generally been on capturing the drama of wild animals IN ACTION, on capturing that dramatic single moment, as opposed to simply animals in the state of being.

I’ve always thought this something of a wasted opportunity. The wild animals of Africa lend themselves to photographs that extend aesthetically beyond the norm of 35mm-color telephoto wildlife photography. And so it is, that in my own way, I would like to yank the subject matter of wildlife into the arena of fine art photography. To take photographs that transcend what has been a largely documentative genre.

Aside from using certain impractical photographic techniques, there’s one thing I do whilst shooting that I believe makes a big difference :
I get extremely close to these very wild animals, often within a few feet of them. I don’t use telephoto lenses. This is because I want to see as much of the sky and landscape as possible--to see the animals within the context of their environment. That way, the photos become as much about the atmosphere of the place as the animals. And being that close to the animals, I get a real sense of intimate connection to them, to the specific animal in front of me. Sometimes a deliberate feeling that they’re almost presenting themselves for a studio portrait." 

Monday, March 29, 2010

Pritzker architectural award recognizes addition to Toledo museum

You don’t need to travel far from Cleveland to experience architecturally significant spaces.  Just yesterday, the 2010 Pritzker Architecture Prize was awarded to SANAA Ltd., the Japanese team of Kazuyo Sejima and Ryue Nishizawa, for their work on theToledo Museum of Art's transparent Glass Pavilion. This is the first male-female team to ever win the prestigious award.

The addition they created for the Toledo Museum is actually the latest expansion. The original museum was founded in 1901 by Edward Libbey of Libbey Glass and was designed by Toledo architects Edward Green and Harry Wachter. In 1990, the legendary Frank Gehry added The Center for the Visual Arts addition.

When asked about how they related this addition to the existing structures, the SANNA team explained “Responding to the site and its surroundings is one of our main tasks as architects. The impressive main building and Gehry’s very skillful addition set the tone, and we wanted to fit into that lovely atmosphere with a quiet pavilion in a grove of old trees.”

Regarding the elimination of all 90 degree corners they said “Very unusual shapes of spaces and sequences of spaces are created this way. The convention of the wall, having two surfaces that are always depending on each other, is also altered in this design, where forms of adjacent rooms can be independent of each other.”

Visiting the Toledo Museum of Art's Glass Pavilion is a dual treat. You can come for the architecture and stay for the art, or vice-versa. In either case, it makes for a photographic feast.  Art pieces owned by the museum may be photographed but those loaned by contemporary artists may not. You can check with the guards in each of the galleries for specifics.

The museum is open Tuesday through Sunday each week and is closed New Years, 4th of July, Thanksgiving and Christmas.  Hours are available on the museum’s Web site.  Admission is free but parking is $5.00 unless you are a museum member.

From Cleveland, it’s an under two hour drive from downtown. Take I-90 west and then I-75 north into Toldeo. 
Photo above by Michael Pecirno

Sunday, June 14, 2009

Parade the Circle 2009

CLEVELAND, OH -- Each year the Cleveland Art Museum sponsors a celebration of performing art called Parade the Circle. Performers start at the museum and parade around University Circle. This years event was a feast for the photographic eye and I have added some of my favorite performers here for your viewing pleasure. (Click on SLIDESHOW in the upper right of the page for easiest viewing.)

When shooting parades, I like to get down low and shoot up at the performers, or get a high vantage point and shoot down. I noticed the official Cleveland Art Museum photographer brought out a 10' foot step ladder and got all his shots from this comfortable "above-the-crowd" perch.
Related Posts Plugin for WordPress, Blogger...

College Specials